Welcome to Stone Carving Tools - Rock&Tools.com - Sculpture Art Space
Impact & Anti Vibe Gloves VALEO V440
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Premium all-leather fingerless with AV GEL padding maximizes durability and comfort.
- AV GEL in palm, thumb and index finger
- Nylon mesh back
- Elastic cuff with hook & loop closure
CUP Bush Chisels - Carbide
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Carbide CUP bush chisels for pneumatic hammers. Connection 12,5 mm.
A bushing tool tha will follow the contour of the stone and close the surface without digging in, the Cup Chisel leaves a unique finish.
Criss-Cross Bushing Chisel - Carbide
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The Criss-Cross leaves a unique corss-hatched finish and nicely.
Connection 12,5mm for pneumatic hammer. Carbide plate
Ergonomic Carbide Pitcher
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Ergonomic Carbide Pitcher to work all types of stones
Carbide Width 50mm
Ergonomic handle
Ergonomic Carbide Point
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Ergonomic Carbide Point
Fantastic ergonomic pointer with a great carbide tip.
Pointer measurements:
Diameter = 30mm
Length = 220mm
Rounded carbide tip
Swept Cape Chisel Teeth
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The Swept cape removes old mortar in preparation for repointing. Its curved shape prevents the chisel from getting stuck in mortar joints.
Steel blade only.
Connetion 12,5mm pneumatic hammer
Air Tool Safety kit
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Air Tool Safety Set. Includes:
-1 pair of reusable ear plugs.
-3 pairs of disposable earplugs
-Advantage respirator, which offers protection from stone dust
-Safety glasses
-Valeo half-finger anti-vibration gloves
Sandstone Carving Block 20lb
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Small block of sandstone, weight 20lb 15x15x15cm aprox.
Very soft and easy to work.
Other sizes can be made on request.
Limestone Carving Block 20lb
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Small block of limestone, weight 20lb 15x15x15cm aprox.
This limestone gets shine when polished.
Other sizes can be made on request.
Looking at Greek and Roman Sculpture in Stone
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Looking at Greek and Roman Sculpture in Stone: A Guide to Terms, Styles and Techniques
Author: Janet Burnett Grossman
Elementary Instructions for Students of Sculpture
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Authors: Francesco Carradori, Paolo Bernardini, Matti Kalevi Auvinen
The Materials of Sculpture
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This beautiful book surveys the sculpture of many civilizations—from ancient Egypt, Greece, and China to fifteenth-century Italy, nineteenth-century France, and twentieth-century North America. It provides a basic introduction to the nature of the materials used by sculptors, examining how these were regarded as well as how they were worked in different periods and in different cultures.